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Ausdance National News—dec 2006

Advocacy

Petitions
With another grant round recently announced for triennial and program organisations, the Australia Council’s Dance Board again had the almost impossible task of deciding how best to spend its very limited funds. With its own triennial funding now being considered by the Federal Government, the Australia Council is in the situation where it is the minor player in the funding of small to medium dance organisations, with a ratio of 70% State/Territory funding to 30% Federal funding.

Ausdance National therefore decided to organise Petitions to both the House of Representatives and the Senate, to draw the attention of Federal MPs and Senators to this situation. With the assistance of the Ausdance network, about 1,300 signatures were gathered for each House. Senator Gary Humphries (ACT) and Ms Jackie Kelly (Member for Lindsay, NSW), presented the Petitions to Parliament on 9 and 16 October respectively. Ausdance National President Susan Street and Executive Officer Julie Dyson were in Parliament to see the Senate Petition presented, and later met with Arts Minister Rod Kemp, Senator Coonan’s arts adviser Natasha Maclaren, and Peter Garrett’s adviser Andrew Palfreyman. The Petitions appear in the relevant Hansards at <www.aph.gov.au> with the following wording (also addressed to Senators): 

To the Honourable the Speaker and Members of the House of Representatives assembled in parliament
The petition of members of the Australian dance profession draws the attention of the House to an issue identified in 2001 by the Cultural Ministers Council. While we applaud recent investment in the major performing arts sector, we also note that the CMC identified the value of all performing arts to the broader cultural ecology. Since then numerous reports have pointed to unsustainable levels of funding in the small to medium enterprise sector, particularly in dance. This is preventing long-term investment in Australia’s internationally-recognised creators and innovators, and limiting their capability and the potential to provide arts opportunities locally and across the nation.

Your petitioners urgently request Members, through bilateral action with the States and Territories, to enhance Federal funding levels to enable recognition of, and investment in, Australian creativity and performance at all levels. We request Members to recognise that creative artists make a significant contribution to the innovation economy, and that this contribution occurs not only in the major performing arts sector, but equally significantly in small to medium arts enterprises. We remind Members that investment in a sustainable and viable performing arts industry is essential if Australia is to even maintain current levels of cultural creativity, innovation and development, and remain competitive in the international arena.

On 24 October, Ausdance National sent all Federal MPs and Senators a letter summarising the issues raised in the Petitions with copies of the relevant Hansard pages.
We emphasise that this is not a campaign of complaint, but one of positive reinforcement, i.e with only a relatively small increase in investment by the Federal Government, there is enormous unmet potential for this highly visible sector. Please contact your local Ausdance office for information about how to participate in this campaign – your voice is incredibly important!


PARTNERSHIPS & PROJECTS


SCOPE project
The ‘Securing Career Opportunities for Professional Employment’ (SCOPE) project – a partnership between the Australian Sports Commission and its Athlete Career Education (ACE) program, the Australia Council and Ausdance – combines arts, sport and education resources to advance career opportunities for dance artists as part of their professional lives.

SCOPE project manager Kay Helliwell was appointed in October to work with ACE Director John Waser, and she has begun to assess the Ausdance/ACE pilot which took place with 20 professional dancers in 2005/06. Kay comes from a sports psychology background and has a high level of skill in developing online resources, career education networks and support and advice systems for professional athletes. She will work with a dance steering committee from Ausdance (Julie Dyson), the Australia Council (Michelle Vickers) and Shane Carroll, former Chair of the Dance Board. This is an exciting partnership which will open up many new opportunities for professional dancers as their careers progress.

International Dance Medicine and Science (IADMS) Conference 2007
The call for papers and workshop proposals has now been published for this conference (see p.27), which again links sport and dance in an innovative and exciting partnership between The Australian Ballet School, Ausdance and the Australian Institute of Sport. The 17th IADMS Conference will be held in Canberra from 25 to 28 October at the AIS, and Australian teachers and artists are strongly encouraged to participate as the world’s leading dance scientists and practitioners reveal their latest research. We also encourage Australian researchers to submit papers and proposals so that there is a strong contingent of presenters from this country. As the IADMS conference has always been held in the northern hemisphere, this is a rare opportunity to participate, and at the same time see the world class facilities at the AIS. For further information visit the 2007 IADMS website at <www.iadms2007.com>.

Treading the Pathways
A new project manager will shortly be appointed to follow up on recommendations from Creating Pathways, the national Indigenous dance forum held last year at the National Museum of Australia. The Australia Council recently issued its report of the event, and has funded the new position which will be supported by the Ausdance network. An Indigenous steering committee will work with the project officer, and it is anticipated that the SCOPE manager will also provide access to resources for Indigenous professional dancers.

Dame Peggy van Praagh bequest
Although Dame Peggy van Praagh died in 1990, her will was not finally settled until recently. The Trustees have been mindful of her desire to advance choreographic development in Australia, and settled on four organisations which they felt would best advance that cause, two of which Dame Peggy helped to found: The Australian Ballet, where she was founding Artistic Director in 1962, and Ausdance, where she was one of the six founders in 1977. Other bequest recipients were The Australian Choreographic Centre and the School of Dance at the Victorian College of the Arts. Cheques for $75,000 each were presented by the Trustees in September at a lunch in honour of Shirley McKechnie’s contribution to the VCA. It will now be up to recipients to determine how best to use this generous bequest. The Ausdance National Council will discuss ideas at its March 2007 meeting, hopefully making an announcement as part of the 30th birthday celebrations later in the year.

Dance company managers’ meeting
The Australian Ballet convened a very productive meeting of company managers at its Melbourne headquarters on 22 September. There were opportunities to hear from each company, to share ideas, to talk about Ausdance projects and activities and to work through some advocacy suggestions. Some of the outcomes included the formation of a small advocacy committee to look at the possibility of producing a Dance Manifesto, similar to the one published in the UK; agreement to convene a joint meeting next year between tertiary dance directors and artistic directors (the first since 1989); and discussion, through Ausdance, with State and Territory education departments about the inclusion of Australian dance on study lists for Year 11 and 12 students. Australia Council representatives (Dance Board and Major Performing Arts Board) made short presentations and provided statistics to enable better understanding of the current funding environment. Dominique Fisher, the new chair of the Dance Board, also attended to meet many people for the first time. The generous hospitality of The Australian Ballet was much appreciated, and special thanks are due to the AB’s Executive Director, Richard Evans, who co-ordinated and chaired the meeting.

The Council for Humanities, Arts and Social Sciences (CHASS)
CHASS held a special one-day forum in Melbourne on 26 September to examine the impact on the visual and performing arts of the new RQF (research quality framework), about to be introduced into universities by the Federal Government. There were some excellent contributions to this forum, which was designed by Professor David Williams and Julie Dyson, and all tertiary arts organisations (including the Tertiary Dance Council) contributed. As a result, a CHASS letter outlining the issues agreed to has been sent to the Department of Education, Science and Training Minister, Julie Bishop. The forum was also covered in the Higher Education Supplement of The Australian in October.
The CHASS AGM was held in Sydney in September with several new board members elected, including the new President, Professor Stuart Cunningham of QUT, who replaces Professor Malcolm Gillies, the inaugural President. Julie Dyson was re-elected as Treasurer for another year. A list of the new board can be found on the CHASS website at <www.chass.org.au>.

New accident and injury insurance for Ausdance members
Ausdance has been working with Aon Risk Services to develop a new insurance product for artists and students in the event of accident and injury, and it will be available shortly – only for Ausdance members – at around $100 per year. A table of benefits is available from Aon on its toll-free number 1800 805 191. A new frequently asked questions section about insurance for the dance profession is also available on the Ausdance website at <www.ausdance.org.au>.

EDUCATION

Schooldance
This is the name given to the Ausdance project outlined in Helen Cameron’s research, and profiled in this edition of Dance Forum. As noted in this report, professional development for teachers and artists who want to work as educators will be the focus of this project initially, but essentially it will be about finding consistency in standards and providing benchmarks for dance education across the country, as recommended in both the visual arts and music education reports, without prescribing curriculum content.

Active After‑Schools Communities program (AASC)
The AASC is an initiative of the Federal Government, and is designed to provide physical activities which promote active and healthy lifestyles in young people. This well-resourced program is based at the Australian Sports Commission in Canberra and is available to schools throughout Australia, but from 2007 – with the backing of Ausdance – it will incorporate creative movement options, enabling the development of new dance resources as part of the package. This is another exciting partnership between sport and dance, and Ausdance looks forward to participating in the development of guidelines to ensure the highest standards of competency in deliverers.

National Affiliation of Arts Educators (NAAE)
The NAAE’s 2006 AGM was convened in Sydney on 2 October at the Drama Australia conference. A major discussion point was the issue of consistency across the country, both in delivery of arts education and in resources. All art form education associations were represented at the meeting, and the Australia Council’s former education officer, Gillian Gardner, also provided a report on its current arts education activities. Dance representatives attending were Julie Dyson, Jeff Meiners and Lesley Graham, all proactive members of the association on behalf of dance and arts education generally. There was great enthusiasm for re-energising the NAAE and raising its profile, and to this end, the association will be jointly chaired in 2007 by Julie Dyson (Ausdance) and Sandra Gattenhof (Drama Australia).


RESEARCH

Ausdance online – focus on dance research
As reported in the Spring edition of Dance Forum, a new research portal is being developed by Ausdance National, designed to reflect the many aspects of dance research now being undertaken in Australia. The new site will bring together some of the current Australian Research Council projects, a new project being undertaken by several Tertiary Dance Council members with funding from the Carrick Institute, and a listing of the increasing number of postgraduate dance theses. The March 07 edition of Dance Forum will focus on research in dance, and particularly highlight performance as research.

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